The Road from Coorain, by Jill Ker Conway

The Road from Coorain revealed layer after layer of fascination. The cover notes let you know what to expect: young woman grows up in the Australian outback, goes on to a distinguished academic career, and ultimately serves as President of Smith College.

Jill Ker Conway is a thoroughly engaging writer.  She brings to this already exotic outline evocative description of time and place and penetrating analysis of herself and others.  She puts us on the sheep station where she grew up and makes us feel the landscape, the characters that inhabit it, and the highs and lows of life at the margins of the social and economic world of Australia in the 1930s and 1940s. She memorably describes the Australian national myth as exalting “epic failure,” typified by her family’s struggle against natural forces that would inevitably prevail.

Against that often bleak landscape, Conway shows the evolution of her family’s complex relationships and her own growth in awareness and competence.  When extended drought pushes her family to move into the city, she has already formed a solid base of independence and curiosity.  Building on that, Conway vividly describes her experiences through high school and university that impelled her into a distinguished academic career as a historian.  Ultimately the limited academic opportunities and sexual discrimination she encountered in Australia led her to leave for graduate school at Harvard.

The Road from Coorain is the first of three autobiographical works. It is followed chronologically by True North, covering a decade of academic work in Toronto, and A Woman’s Education, dealing with her time as the first female President of Smith College and a reinvention of women’s education.

— Bill Smith


[*]Full disclosure:  My mother, sister, and daughter attended Smith.

Braiding Sweetgrass, by Robin Wall Kimmerer


A gorgeous, elegant, wise, and heartbreaking book, destined to become a classic. The author is a botanist and a member of the Citizen Potawatomi Nation. In poetic prose, she shows how Native-Americans understand botany on a personal level. 

Her intricate essays explain that the land feeds and heals us and, when it is healthy, so are we. But when it is broken, we are as well. 


I kept thinking, “what if” throughout the book. What if we had followed Native American custom and respected the land, returning as much as we have taken, and giving thanks for the gifts of nature, instead of seeing it only as something to use for our own gain? — Pat Prijatel




Between the World and Me, by Ta Nehisi Coates.

 

This book is a letter addressed by the author to his 15-year-old son: Samori. 

Ta Nehisi Coates relates the fears of his youth while growing up in West Baltimore. “When I was your age the only people I knew were black, and all of them were powerfully, adamantly, dangerously afraid..… The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats… which was their armor against their world. “

Everybody knew someone who had lost a child or adult life violence, jail, or drugs. “I saw it (fear) in my own father, who loves you.” But if the young Coates got in trouble, which he often said he did, his father would crack the belt, “which he applied with more anxiety than anger. “

Coates tells his son that “fear ruled everything around me, and I knew, as all black people do, that this fear was connected to the Dream out there, to the unworried boys, to pie and pot roast, to the white fences and green lawns nightly beamed into a television sets. “

The author explains that the law did not protect the Black community. “And now in your time, the law has become an excuse for stopping in frisking you, which is to say, for furthering the assault on your body. “

Coates repeats several times in his letter that he had been a curious boy. His mother taught him to read and write when he was very young. His father was a research librarian at Howard University; his father loved and owned many books by and about Blacks.

Coates suffered at the hands of both the streets and the schools. He believed the schools “were not concerned with curiosity. They were concerned with compliance…. When the elders presented school to us, they did not present it as a place of high learning, but as a means of escape from death and penal warehousing. Schools did not reveal truths, they can concealed them. “

Ta-Nehisi questioned the need for school: “Their are laws were aimed at something distant and vague.” It was not the classroom but the library that he loved. “The library was open, unending, free. “

Coates wants his son to ask many of the same questions as mother had put to him: “Why did I feel the need to talk at the same time as my teacher; why did I not believe that my teacher was entitled to respect; how would I want someone to behave while I was talking?” author goes on to state that his mother’s assignments did not curb his behavior, but because these were the earliest acts of interrogation, of drawing myself into consciousness… she was teaching me how to ruthlessly interrogate the subject that elicited the most sympathy and rationalizing— myself. “

It was later at Howard University and especially The Mecca, that Ta-Nehisi he was formed and shaped. 

The Mecca: A machine, crafted to capture and concentrate the dark energy of all African peoples and inject it directly into the student body… We have made something down here. We have taken the one drop rules of Dreamers and flipped them. They made us into a race. We made ourselves into a people. Here at the mecca under pain of selection, we have made a home as do black people on summer blocks marked with needles, violence, and hopscotch squares. As do black people dancing it out at rent parties, as do black people at their family reunions where we are regarded like the survivors of catastrophe.

—Lauri Jones