The Warmth of Other Suns, by Isabel Wilkerson

In her massive, beautifully written and masterly account of the Great Migration, Isabel Wilkerson chronicles one of the greatest untold stories of American History – the exodus of almost six million black citizens who fled the south for northern and western cities in search of a better life – forever changing the United States, especially the makeup of big cities.

The Warmth of Other Sunsis Pulitzer Prize-winning author Wilkerson’s first book. The title is borrowed from the black writer Richard Wright who fled Jim Crow Mississippi in the 1920s.

I was leaving the South
To fling myself into the unknown ..
I was taking a part of the South
To transplant in alien soil,
To see if it could grow differently,
If it could drink of new and cool rains,
Bend in strange winds,
Respond to the warmth of other suns
And, perhaps, to bloom.  

— Richard Wright

Between the beginning of the First World War through the end of the Civil Rights Movement, 1915 and 1970,  millions of African-Americans summoned up the courage to leave their bleak lives in the Deep South in order to give themselves and their children hope for the future. Because this pattern of migration lasted for several generations and spread over many states, it was difficult to see it happening as it occurred and most of its participants were unaware that they were part of an important demographic upheaval and dynamic shift in residency.

Wilkerson is the daughter of migrants herself and showed empathy, profound affection and compassion toward her subjects, allowing the reader to share that connection. If nothing else, Wilkerson is thorough.  She interviewed approximately 1,200 people, reviewed hordes of official records, and took numerous road trips on her way to create this landmark piece of nonfiction – to tell a story she thought everyone should know.

With stunning historical detail to describe the migration, Wilkerson focuses on biographies of three very different migrants; each representing a different decade as well as a different destination and each carrying with them a different set of circumstances that factored into their decisions to leave. The details of routine racial discrimination that these people faced both before and after migrating are horrifyingly vivid and impossible to ignore.

Ida Mae Brandon Gladney, born in 1913, was a sharecropper’s wife from Mississippi. They both were relegated to picking cotton.  They worked all day and all year, and at the end of it they usually broke even, which was considered lucky, because most sharecroppers ended up with nothing but debt to show for their labor, at least by the boss’s accounting. A woman was expected to pick a hundred pounds of cotton a day, and she hated it. Living in a Jim Crow society with no hope for the future, in 1937 she and her husband George, and their two children secretly boarded a midnight train to Milwaukee, where her sister lived. They decided to leave because a cousin down the road was almost beaten to death by a white posse that wrongly suspected he stole some turkeys.  Fearing he would be next, and tired of working dawn to dusk for pennies, George told Ida Mae to pack up the family.

Miss Theenie, Ida Mae’s mother, then drew them close to her, as she always did whenever anyone was leaving. She had them bow their heads. She whispered a prayer that her daughter and her daughter’s family be protected on the long journey ahead in the Jim Crow car. “May the Lord be the first in the car,” she prayed, “and the last out.”

They eventually settled in Chicago’s south side, where George found work in a soup factory and Ida Mae in a hospital as a nurse’s aide. Although blue collar jobs, the Gladney’s made the most of their opportunity, never missing a day of work, and even becoming long time home owners, and their children attended a desegregated school. Chicago became their home for the rest of their lives and they never regretted their decision.

Before setting foot on the streets of Chicago, Ida Mae had never even thought about voting. Indeed, no black person she had known back in Mississippi would have dared to talk openly about such a right. But in the Windy City she was free to vote for the first time — and did so in the 1940 presidential election, casting her ballot for Franklin D. Roosevelt, and later also voted for Barack Obama when he ran for the Illinois Senate. 

Isabel Wilkerson met Ida Mae in 1996, when Ida Mae was eighty-three years old. She was still living in the second floor apartment of the house that her family had bought in 1967. She lived with dignity and respect to be ninety-one. She died in her sleep, in 2004, at home.

George Starling, a bright and ambitious man was the valedictorian of his colored high school in central Florida, but dropped out of college when his money ran out. So he went to work picking oranges in the fields. Appalled by the working conditions, he tried to organize a work stoppage for higher wages and better working conditions, but was warned that the local growers, backed by a homicidal sheriff, were planning a “necktie party” for him. He also boarded a midnight train, which was bound for New York. He lived in Harlem where he was free to live his life as he pleased.

As fate would have it, he took a porter’s job on the same train that once brought him north. It had a route from New York to Florida, the very place where he had so longed to escape. That’s where he became an advocate for African American passengers. Surprisingly, though, given George’s intelligence and drive, he was never once promoted away from his boringly repetitious job, one that he endured for more than 40 years.Through his faith in God, he eventually made enough peace with the south to go back to live there as an old man.

Robert Joseph Pershing Foster had the most privileged background of the three main characters. The son of demanding middle-class parents in Monroe, Louisiana, he was educated as a physician at Morehouse, the most prestigious black college in America. An accomplished surgeon, Foster had no rights to practice in the south, even as the son-in-law of the president of a prestigious black college. So he decided that he wouldn’t waste his time in the south being paid with “the side of a freshly killed hog”, and knowing that other Monroe residents had moved to Los Angeles, made the decision to travel there in his red 1949 Buick. Wilkerson writes of his long, hungry and lonely drive west where he could find no motel that would rent him a room or restaurant which would serve him—all because of the color of his skin.

One of my favorite quotes in the book, Robert said “How could it be that people were fighting to death over something as ordinary as being free to go and do as you please, like sitting in a diner with everyone else and eating a meal.”

After an initial struggle, he had established a private practice in Los Angeles and sent for his wife and daughters.After changing his name from Pershing to Robert, even Bob, he matured into one of California’s finest surgeons, with a successful medical career which allowed him to purchase a grand home where he threw exuberant parties. Revered by all of his patients for his entire career, Dr. Foster was the personal physician of Ray Charles who wrote a song about him.  Becoming addicted to gambling, Las Vegas became a second home. He lived a wild life and lost most of his wealth at the Vegas tables. Regrettably, something in his character prevented him from ever relishing the many blessings in his life.Still, at his funeral, he was mourned by his grandchildren enrolled in Ivy League schools.

Their stories are different and unique, yet they intertwine, and are interspersed with other stories of the South. They are gripping and full of life. Having spent many days and hours with the three and their families, it is clear that she became attached to them emotionally — personalized and humanized them – making the reader hope and root for them.

Wilkerson uses scholarship to quash the misconceptions that the migrants were uneducated, shiftless and promiscuous. She uses census data, stating that migrants from the South were on average better educated than those who stayed and soon would have a higher level of education than the blacks they joined in the North, and even more than the northern white population.  Or that migrants had higher levels of employment. And, contrary to common belief, the migrants were more likely to be married, remain married, and less likely to bear children out of wedlock.

The Great Migration shaped America’s urban cities, their culture, the geography of neighborhoods, and the beginnings of suburbanization and housing projects. Overall, this book did a lot to explain why some cities, and even some sections of those cities transformed from white to predominately black.  It did a lot to explain how those from Georgia and Florida migrated mostly to Boston and New York, and those from Alabama and Mississippi moved to cities like Detroit and Chicago, and those from Louisiana and Texas went to California. Wilkerson is superb at minding the bends and detours along the way.

The Warmth of Other Suns is a bold, remarkable and riveting account of an unrecognized immigration throughout the United States, and nearly impossible to put aside. Through the beauty of writing, the depth of her research, and the fullness of the people and their lives portrayed, the book is a classic.  It serves as an important tool for better understanding of the trials and tribulations of black Americans in the 20thcentury.  At 622 pages, it is something of an anomaly in today’s shrinking world of nonfiction publishing, but so immensely readable as to, what one reviewer said, “would land her on a future place on Oprah’s couch.”

—Ken Johnson

Ragtime, by E.L. Doctorow

Published in 1975, Ragtime is an amazing tapestry capturing the spirit of America in the era between the turn of the century & WW1, when … “patriotism was a reliable sentiment … everyone wore white in the summer… the only thing more irritating than immigrants is black folk, specially when they start acting like they was white folk.”

It’s aptly titled too, for Doctorow manages to capture the ragtime music energy of the era. A quote by Scott Joplin, a famous ragtime musician, at the beginning of this novel, affirming that “It is never right to play Ragtime fast”, gives away the style and tone.  It starts very slowly, with descriptions of the main characters, where they live, and what they do., and then proceeds forward.
This colorful semi-historical novel is jam-packed with a myriad of characters, some fictional and some real-life, revolving around the fortunes of three families; a white family who are unnamed (simply referred to as father, mother and mother\’s younger brother), a Jewish immigrant family and a black family. Their lives intersect in both happy and tragic ways. Interspersed are a cast of real life authentic figures such as magician Harry Houdini, Admiral Peary, tycoons Henry Ford and J. P. Morgan, anarchist Emma Goldman, Sigmund Freud, Booker T. Washington, and even a brief mention of Tom Thumb.
There is no inkling of a plot or hint that the book will be anything more than disparate descriptive passages for several early chapters. When interconnections between the characters intermingled with their encounters with some of the famous historical personages of the age begin to appear, these are the first indications that it will evolve into the veneer of a novel.
These strange characters are inextricably linked by unexpected and unforeseen events seemingly outside their control; the young boy’s uncle is in love with a woman who meets a revolutionary who is arrested for creating anarchy when a criminal holes up in J.P. Morgan’s library after his fiancé is killed when she leaves the house of the mother of the young boy’s uncle. And so on.
Maybe it is Doctorow’s genius that he can link together as many characters as he chooses, keeping them intertwined in the fine fabric of turn-of-the-century New York. Or maybe it is because this bedlam and turmoil is intentional, reflecting perfectly the chaos and confusion of the era.
There is an undercurrent of radicalism in the novel and a strong sense of the inequality of society. What I found most stimulating was the fictional character of Coalhouse Walker, a ragtime pianist, and his fight for his rights stands out against an obvious injustice. His fanatical pursuit of justice drives him to revolutionary violence at a great cost to himself, but also to those he loves. It’s about this time that the book begins to become very interesting, and his story dominates the rest of the novel.
Ragtime definitely delivers. This is extrovert writing – witty, active voice, strong verbs, present tense. It is beautifully crafted, a stylistic tour de force, ingeniously pulled together and craftily presented, worthy of the era it captures, and should be enjoyed by anyone interested in the period.
“Writing is like driving a car at night. You can only see as far as your
headlights, but you can make the whole trip that way.” – E. L Doctorow
By Ken Johnson, June 23, 2018

TATTOOS ON THE HEART, by Gregory Boyle

In this uplifting and intimate memoir, Jesuit priest Gregory Boyle recounts his three decades of working with “homies” in the barrios of East Los Angeles, an area with an extreme concentration of murderous activity, including over 1,000 gangs with almost 90,000 members. I was by turns mesmerized, horrified, and enthralled as I read.

In each chapter, we benefit from Boyle’s hard-earned wisdom, inspired by his faith, serving alongside the gang members and loving them as Jesus intends us to love others (our neighbors), amply demonstrating the impact that unconditional love and compassion can have on lives. Father Greg, or G-Dog as he is called by the homies, saw the need for a rehabilitation center and started Homeboy Industries in 1986 to provide jobs, tattoo removal, job training and encouragement for members of rival enemy gangs. Their motto, printed on tee shirts is “Nothing stops a bullet like a job.”

Homeboy Industries has grown to a $8.5 million headquarters, housing Homeboy Bakery, a beautiful Homegirl Café, a catering service, various craft industries, and a Homeboy Diner.  It currently employs about 300 former gang members, daily serving about 1,000 customers, and monthly provides 500 treatments for tattoo removal.

The book distills his experience working in the ghetto into a breathtaking series of stories which capture and convey the lessons he learned from kids who have struggled through challenging times and tried to turn around their lives. In each Chapter the reader benefits from Boyle’s wonderful, hard-earned wisdom. With an ear for dialogue, he deftly captures the expressive flavor and colorful language of the Spanglish patois spoken there.  That alone makes Tattoos of the Heart remarkable literature.

The individual stories he tells are woven into parables that will break your heart, as many are about young gang members who start to get on track, only to be randomly shot and killed. It’s difficult to keep a dry eye. Manny was a boy covered with tattoos caught in the crossfire of gang warfare and died on the emergency room operating table. He had enrolled in community college, but was cut down before he ever attended a class.  A nurse who was evidently disgusted by his tattoos, told another “Who would want this monster’s heart?” The other nurse reacted angrily, “How dare you call this kid a monster. He belonged to somebody.  Shame on you.”

Then there was Jason, a young crack dealer, the son of two addicts, who, after rejecting several of Boyle’s invitations, finally got a job with Homeboy Industries. He left his anger behind him, eventually had a home and family, and was looking forward to his daughter’s baptism and had bought her a new dress. But then he was gunned down in the streets.

Luis, also a drug dealer, came to Greg after his daughter was born. He was hired to work in the bakery.  He got a car, a home and a whole new life. One evening, while loading his car, he was shot and killed by some gang members who ventured into his neighborhood barrio.

There are other stories like those of Manny, Luis, and Jason, kids who Greg befriended, turned their lives around, looked to the future with hope, only to end up one more victim of the violence of the LA streets.

But then there are other stories of some who turned their lives around. Bandit came to see Greg after being locked up for selling crack. Boyle got him a job in a warehouse, and Bandit got married and had three kids.  He told Greg he was proud of himself, showing people were wrong who called me a “Bueno para nada” (Good for nothing).

Boyle sees beyond these experiences and reminds us that we are all deserving of God’s love. These young people are not monsters, but scared kids who want a purpose in life. He challenges the reader to “stand in awe at what the poor have to carry rather than stand in judgment at how they carry it.” This is a holy book about the power and impact of unconditional love and compassion.

Considering that he has buried more than 150 young people from gang-related violence, many of which he has known since childhood, and called them by the names their mothers used, the joyful tenor of the book remains an astounding literary and spiritual feat. Tattoos on the Heart, which reminds us that no life is less valuable than another, is destined to become a classic of contemporary spirituality. But, be careful — reading it may change your thinking, and your ministry!

—Ken Johnson

P.S. The book left a tattoo on my heart too.