THE BOYS IN THE BOAT, by Daniel James Brown

Brown’s robust book tells the irresistible story of the University of Washington’s rowing team and their epic quest for a gold medal in the 1936 Olympics. I must admit that, before starting on the book, I was a little skeptical, primarily because I didn’t think there was much to rowing—a little arm exercise pretty much summed it up for me. You know what Mark Twain said about golf—a good walk ruined.  Well, I thought rowing was a good paddle ruined…

And, while the book itself could be a little plodding early on, perhaps providing too much detail for me, I did come to enjoy it very much, particularly when Brown described an early race, I could feel the splash of the oars. More important, perhaps, I learned that rowing is a very complicated, precise, and interesting sport that, contrary to my previous view, uses practically every muscle. It became clear that readers do not need an interest in competitive rowing to be captivated by this remarkably crafted history.

Brown offers a vivid picture of the relentlessly demanding effort of the rowers and the precision that goes into the making of a first-class boat. Mentored not just by visionary Coach Al Ulbrickson, but by the genius of eccentric boat-builder George Pocock, the teammates learned to trust themselves and to row with grace, unmatched precision, and power. Their collective result was perfection, as was the book by Brown.

At the heart of the book is a heart-warming story of Joe Rantz, who was abandoned by his father — left to fend for himself at a very young age, but who as a resourceful teenager won back his dignity to become an ideal hero by employing his determination to overcome the odds. Neither he, nor his team was ever expected to defeat the elite teams on the east coast, nor to have the opportunity to go on to shock the world by defeating the Germans in front of Adolf Hitler.

More than just a sports story, Boys in the Boat is a fascinating work of history. The reader gets a vivid picture of the depression era, the building of the Grand Coulee dam (where Joe worked during the summer to earn tuition money), the dust bowl, Hitler’s rise to power—all culminating in the 1936 Berlin Olympic Games. I was reminded somewhat of Bill Bryson’s One Summer, which similarly covered a variety of momentous events during the summer of 1927.

I also enjoyed reading about Leni Riefenstahl, the genius who directed Hitler’s propaganda films for the world, Triumph of the Will and Olympia, which won many awards. And I really enjoyed the conversations our book club had over a three-week period. I believe we all came away with a deep appreciation for the sport, and Karen Lynch’s added perspective as a coxswain for and member of the University of Iowa rowing team put the icing on the cake.

“Harmony, balance, rhythm; A symphony of motion,” said the legendary designer of racing shells George Pocock. “There you have it. That’s what life is all about.” And that’s what this book is all about.—Ken Johnson

NOTE: An episode of PBS’s American Experience was based on the book, titled The Boys of  ’36. You can livestream it through them or Netflix.

The Color of Water, by James McBride

The Color of Water is a success story, a testament to one woman’s true heart, solid values, and indomitable will.  The story is told in two voices which alternate throughout the book. In telling his mother’s story, along with his, James McBride addresses racial identity with compassion, insight, and realism. It is, in a word, inspiring.  

McBride, a journalist and musician, explores his mother’s past, recreating her remarkable story, as well as his own upbringing and heritage in a poignant and powerful debut novel. He skillfully relates his life story and his coming to terms with his mixed ethnic and religious heritage, with chapters conveying his mother’s travails and development into a fervent Baptist.
 
His mother, born Rachel Shilsky, who changed her name to Ruth to be more American, is a story of a woman whose parents fled the anti-Jewish pogroms of Central Europe and landed in a Suffolk, Virginia, a violently racist small southern town, there to be faced by new anti-Semitism and racial prejudices and develop a few of their own.  Her father, rabbi turned storekeeper, was a cold, sexually abusive tyrant who kept his children in virtual servitude, exploited his black customers, and ultimately abandoned his wife.
 
However, her grim upbringing is left behind when she moves to Harlem, marries Dennis, a black minister, fervently adopts Christianity, and raises eight children. When she fell in love with Dennis, she said “He came from a home where kindness was a way of life.  I wanted to be in this kind of family.  I was proud to join it, and they were happy to have me.” However, they experienced a certain degree of prejudice as a result of their interracial marriage.  They opened the New Brown Memorial Church together.  Then Dennis fell ill with lung cancer and died just before James was born.
Widowed, alone and poor, she struggled fiercely to raise her family. Then she remarried to Andrew McBride, another black man, and raised four more children before he also died.
 
James reports that he grew up in “orchestrated chaos”, with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. As a child, he became aware that his mother was different from others around him.  She was white, and she kept secrets. It is her voice, unique, incisive, at once unsparing and ironic, that is dominant in this paired history, and its richest contribution.
 
In the answer that gives the book’s its title, she says “God’s not black. He’s not white.  God is the color of water.  Water doesn’t have a color.” She schemed shrewdly to have all her children buses to schools predominately in Jewish neighborhoods, sure that learning was a priority there.  James was pleasantly surprised when he learned during his senior year in high school that he had been admitted to Oberlin College.  He and his eleven siblings all completed college and led successful careers.
 
The triumph of the book is that race and religion are transcended in these interwoven histories of family love, the sheer force of a mother’s will and her unshakable insistence that only two things really mattered: school and church, a respect for education and religion. Issues of race and identity took secondary importance to her beliefs.
 
At 65, Ruth went back to school and earned a college degree in social work.  She remains in close contact with her children, holding holiday gatherings where everyone sleeps on the floor or rugs in shifts, double or triple in bed – just like the old times.
 
The Color of Waterwill make you proud to be a member of the human race. This moving and unforgettable memoir needs to be read by people of all colors and faiths.  The two stories, son’s and mother’s, beautifully juxtaposed, strike a graceful note, particularly at this current time of racial polarization.—Kenneth N. Johnson

DEAD WAKE, by Erik Larson

Few tales in history are more haunting or more fraught with secrets than that of the final voyage of the Lusitania, which resulted in one of the most colossal tragedies of maritime history.  Author Erik Larsen ushers us aboard the Lusitania, the fastest ship of its day, on its way from America to England, when on May 7, 1915, it was torpedoed by a German submarine 12 miles off the coast of southern Ireland.  It sank in 18 minutes, 1,198 passengers and crew perished.  Only six of the 22 lifeboats were launched, and many passengers drowned because they donned their life-jackets incorrectly.

Once again, Larson demonstrates his expert researching skills and writing abilities — switching between the hunter and the hunted, his detailed forensic and utterly engrossing account of the Lusitania’s last voyage, highlights that unpredictable shifts in weather, the many small decisions made by the captains of both the luxury liner and U-Boat, a chance fog, the slowing down to get mail, and numerous other circumstances, all converged to placing the liner in precisely the wrong place at exactly the wrong time.

In Dead Wake, Larson brings to life a cast of evocative characters on board the Lusitania, including the famed Boston bookseller Charles Luriat who come on board with a priceless copy of Dickens’ “A Christmas Carol”, pioneering female architect Theodate Pope, millionaire Alfred Vanderbilt, and art collector Hugh Lane, who carried sealed tubes containing paintings by Rembrandt and Monet. Apart from the Lusitania, Larson also explores that part of the life of President Woodrow Wilson, who was grieving about the death of his wife, but smitten and captivated by the prospect of new love with Edith Galt, and Winston Churchill, then the first Lord of the Admiralty, who hoped to bring America into the war, and whose ultra-secret spy group failed to convey intelligence that might have saved the liner.

This book is excellent when describing the lethal new technology of early submarine warfare, life inside the U-boats, its cramped quarters, “the reek of three dozen men who never bathed”, and the omnipresent danger. Following his government’s new policy of unrestricted warfare, Captain Schweiger fired a single torpedo into the Lusitania’s hull, blowing a hole the size of a house beneath the liner’s waterline.  Less than a minute later, a second explosion shuddered from deep within the bowels of the Lusitania, and she listed precariously and began to sink immediately.

Unsettling questions clung to the case in the years that followed. Was the ship somehow allowed to sail into a trap? Why had the British Admiralty failed to provide a military escort? What was the cause of the second explosion? Why did Germany then decide to attack civilian shipping? There remains a mystique about the disaster, with questions that remain unresolved, and may never be.

Gripping and important, Dead Wake captures the sheer drama of the disaster.  Put in context of World War 1, the sinking of the Lusitania altered the course of history by ultimately dragging the U.S. into the conflict, although it was two years later.  I agree with one reviewer who suggested that Larson’s book “practically begs Hollywood blockbuster treatment.”

— Ken Johnson

 

 

p.s. After reading Dead Wake, I mistakenly assumed that the U-Boats were the first submarines.  But, with a little research, I found that the first submarine known to have attacked an enemy ship was the Turtle, piloted by Ezra Lee of the American Continental Army.  He piloted the Turtle under a British flagship, attempting to attach an explosive charge to the bottom of the ship.  He was unable to successfully attach it, so was forced to give up the attempt.  But George Washington personally congratulated Lee on his survival and gave him a job in the secret service.

 

There were a number of other experiments over the next 80+ years, but during the Civil War, submarine development got kicked up a notch. The most well-known Union sub was the USS Alligator, designed by a Frenchman named Brutus de Villeroi, who listed his occupation as “natural genius”.  The Alligator was lost during a storm, before attacking the Confederates.

 

But the most famous Civil War sub was built by a Horace Hunley, who egotistically named his boat the Hunley. During a test, however, the Confederate sub flooded and five crew members were drowned. It was salvaged though, and on its second attempt, Hunley failed to pull out of a dive and the sub became stuck in the sea floor.  The crew were unable to open the hatches, and Hunley and all his crew perished. Again, it was salvaged and took its first action against the Union, ramming the USS Housatonic with a torpedo protruding from the front of the sub.  After backing away from the Housatonic, the torpedo was charged, sinking the ship within five minutes.  Thus, the Hunleywas the first sub ever to sink an enemy ship, securing its place in naval history. —KJ