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A Thief of Time, by Tony Hillerman

Tony Hillerman creates a sense of place so strong and compelling you forget this is a mystery and just get caught up in the land, its people, and its history. More mystical than mystery, A Thief of Time is named for the criminals who steal Native American artifacts—in this case, Anasazi and Navajo pots—and sell them for exorbitant amounts. Those people, according to Navajo culture, are stealing their ancestors’ history.

In the book, an anthropologist who has found a treasure trove of artifacts disappears, and the Navajo Tribal Police are charged with finding her. It’s a compelling story, largely because of the cast of full-bodied characters, including two tribal policemen, several anthropologists, a random assortment of petty thieves, an influential Mormon leader with a sad secret, a New York museum curator, and a wealthy Manhattan pot collector.

Lieutenant Joe Leaphorn leads the search; this theoretically is one of his last cases, having given his notice of resignation after his beloved wife Emma died. The young Jim Chee joins him, trying to balance his police work with his unsuccessful attempts to become a Navajo shaman. Both are beautifully crafted characters whose frustration with one another is matched with a common love for their religion and traditions.

As well-woven as a Navajo rug, the story centers on the remarkable Chaco Canyon and the surrounding area of New Mexico, Colorado, and Arizona. It won the Macavity Award for Best Mystery Novel (1989) and was a nominee for the Anthony Award for Best Novel (1989) and the Edgar Award for Best Novel (1989).

It’s the eighth of 18 books Hillerman created featuring Leaphorn and Chee. His daughter Anne completed an additional two. PBS produced TV movies of three of them—A Thief of Time, Skinwalkers, and Coyote Flats—that are available through PBS or on Netflix.

—Pat Prijatel

The Life and Times of the Thunderbolt Kid, by Bill Bryson

Several years ago, my best friend, who grew up in Des Moines in the 1950’s, gave me a copy of Bill Bryson’s The Life and Times of the Thunderbolt Kid. I enjoyed it so much that I subsequently read and enjoyed virtually all of his numerous books. So, when the opportunity recently arose to suggest it to Books, Brews, and Banter, I heartily recommended it, although I rarely read books twice.

“I can’t imagine there has ever been a more gratifying time or place to be alive than in Iowa and the 50s,\” Bryson wrote in the first chapter, and then set out to corroborate it. He and his friends found endless adventures on the streets of Des Moines at a time when all kids hung outside pretty much all day during the summers, only returning home for dinner.

In this hilarious memoir, Bryson captures the time and place of his boyhood in Des Moines in the 50s and 60s, reminding us of a happy time when cars, household appliances, and even nuclear weapons grew larger and more abundant each year, while DDT, cigarettes, and atomic fallout were considered harmless or even good for you. He writes about his loving but eccentric family, including warm portraits of his father, a gifted but often absent sportswriter for the Des Moines Register, and his absentminded mother, who was the home furnishing editor also for the Register.

His early childhood recollections include the first televisions, comic books, toys (electric football and erector sets), his mother’s bland cooking, the threat of the Atomic Bomb, movie matinees, fears of polio, TV dinners, the Iowa State Fair, and visits to Grandpa’s farm. His alter ego, The Thunderbolt Kid, born of his love for comic book super heroes and his need to vaporize awful evildoers, allowed him to see under women’s clothing, if only in his imagination. When adolescence took over, Bryson’s adventures were replaced with riskier hobbies of smoking, drinking, forging IDs, and his growing fascination with sex that included the discovery of Dad’s secret stash of girlie magazines, his attempts at gaining access to the notorious “strippers tent” at the State Fair, and his unfilled desire to see Mary O’Leary naked.

Bryson is a master of the detail. He mined magazines and newspapers of the period with an eye for the tragic, the revealing and the just plain odd, including the story of the barmaid charged with obscenity for being able to carry two glasses of beer on her breasts, the black man sentenced to death for stealing $1.95, and parents climbing ladders outside polio wards to shout greeting to the children.

His book is so outlandish and improbably entertaining, you sometimes begin to doubt its veracity. For example, none of our book club members remember his contention that the Japanese sent balloons with bombs in them over the US during WWII, some going as far as Virginia.

Nonetheless, it’s a wondrous laugh-out-loud book, evoking both the unadulterated joys and everyday battles of childhood. A great fun-read, especially for Baby Boomers nostalgic for the good old days. Ken Johnson

The Devil in the White City, by Erik Larson

Many of Erik Larson’s books explore the intersection of technological brilliance and human evil. In The Devil in the White City, he recreates the Chicago of 1893, where the nation’s foremost architects build the Chicago World’s Fair on Lake Michigan while a serial killer creates his own grotesque haven just blocks away.

It’s a city teeming with creativity, filth, growth, and chaos, which Larson captures so thoroughly that I could almost smell the stockyards and see the muck oozing down the Chicago River.

With meticulous attention to detail and storytelling prowess, Larson introduces us to chief architect Daniel Burnham, his partner John Root, and his talented team, including Louis Sullivan, with whom Burnham most often clashed; Frederick Law Olmsted, whose landscaping plans caused him nearly as much grief as his aching teeth; and Sophia Hayden Bennett, the lone woman, who was just 21 when she designed the Women’s Building.

And then there was H.H. Holmes, aka Herman Webster Mudgett, who built the horrifying World’s Fair Hotel, complete with a gas chamber and chute to smoothly dispose of bodies, which included those of three wives and one fiancée. He even sold a good many of their skeletons to a scientist who cleaned them and used them for research, conveniently expressing little curiosity as to their origins.

Larson intersperses the drama and delight of the fair with the horror of Holmes’ Murder Castle, both being built walking distance away from one another. The book’s tagline: Murder, Magic, and Madness at the Fair That Changed America.

The fair, also called the World’s Columbian Exposition, to celebrate the 400^th anniversary of Columbus’s arrival in the United States, needed a show-stopper, a feature to compete with the Eiffel Tower, built for the 1889 World’s Fair in Paris. Planners rejected several brilliant ideas, including an 8,000-foot elevator that would take riders to a toboggan run from which they would slide all the way to Boston (details to come later). After months of stressful searching, they finally found the solution: the first Ferris Wheel. This behemoth was 254-feet tall, with a capacity of 2,160 riders at a time. Riders were enclosed in 36 wooden cars the size of boxcars, which could hold up to 60 persons and included their own restaurants and bars. (The latter would probably come in handy for some riders.)

And to make the structures and landscaping work together, designers painted all buildings white, creating a magical city in the purest of colors, another contrast to the darkness blocks away in Holmes’ evil world.

It’s a wonder the fair opened at all, with constant squabbling between its architects, plus the unreceptive Chicago weather and boggy location in Jackson Park, which was largely a swamp before Burnham and Olmsted visited and saw the possibility of a lakeside wonder. And it’s a wonder Holmes was ever caught, given the ineptitude of local police, the lack of any national data collection of missing women, and Holmes ability to lie brilliantly.

Most structures of the fair were covered essentially with papier-mache, so they were destroyed after the fair. Today’s Museum of Science and Industry is the only major building remaining; it had been the Palace of Fine Arts. Pat Prijatel

To see how the fair might have looked, check out this three-dimensional recreation.